genre psychological

Vita Nostra

Vita Nostra — a cross between Lev Grossman’s The Magicians and Elizabeth Kostova’s The Historian is the anti-Harry Potter you didn’t know you wanted.” -The Washington Post

Vita Nostra has the potential to become a modern classic of its genre, and I couldn’t be more excited to see it get the global audience in English it so richly deserves.” - Lev Grossman

Winner of Best Book from both Amazon & Paste Magazine

“The definitive English language translation of this internationally acclaimed novel—a brilliant dark fantasy combining psychological suspense, enchantment, and terror that makes us consider human existence in a fresh and provocative way.

Our life is brief . . .

Sasha Samokhina has been accepted to the Institute of Special Technologies.

Or, more precisely, she’s been chosen.

Situated in a tiny village, she finds the students are bizarre, and the curriculum even more so. The books are impossible to read, the lessons obscure to the point of maddening, and the work refuses memorization. Using terror and coercion to keep the students in line, the school does not punish them for their transgressions and failures; instead, it is their families that pay a terrible price. Yet despite her fear, Sasha undergoes changes that defy the dictates of matter and time; experiences which are nothing she has ever dreamed of . . . and suddenly all she could ever want.

A complex blend of adventure, magic, science, and philosophy that probes the mysteries of existence, filtered through a distinct Ukrainian sensibility, this astonishing work of speculative fiction—brilliantly translated by Julia Meitov Hersey—is reminiscent of modern classics such as Lev Grossman’s The Magicians, Max Barry’s Lexicon, and Katherine Arden’s The Bear and the Nightingale, but will transport them to a place far beyond those fantastical worlds.”

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Hardly Ever Otherwise

“Everything eventually reaches its appointed place in time and space. Maria Matios’s dramatic family saga, Hardly Ever Otherwise, narrates the story of several western Ukrainian families during the last decades of the Austro-Hungarian Empire, and expands upon the idea that ‘it isn’t time that is important, but the human condition in time.’

From the first page, Matios engages her reader with an impeccable style, which she employs to create a rich tapestry of cause and effect, at times depicting a logic that is both bitter and enigmatic. But nothing is ever fully revealed—it is only in the final pages of the novel that the events in the beginning are understood as a necessary part of a larger whole, and the section entitled ‘Seasickness’ presents a compelling argument for why events almost always have to follow a particular course.

In Matios’s multi-tiered plot, the grand passions of ordinary people are illuminated under the caliginous light of an ethereal mysticism, and digressions on love, envy, transgression, and atonement are woven into the story. The reader is submerged into a rich world populated by a grand cast of characters and ideas, which Matios animates with her prolific imagination and subtle wisdom.

Each character in this outstanding drama has an irrefutable alibi, a unique truth, and a private conflict with honor and duty. Her characters do not always act in accordance with logic and written-law, as the laws of honor clash with the laws of the heart. And this is why it is hardly ever otherwise.”

(A special thank you to book club member, Leslie Tchaikovsky for the suggestion.)

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The Nightwalker

“A psychological thrill-ride of a novel that finds an insomniac wondering if his nighttime excursions have turned into something beyond his imagination.

As a young man, Leon Nader suffered from insomnia. As a sleepwalker, he even turned to violence during his nocturnal excursions and had psychiatric treatment for his condition. Eventually, he was convinced he had been cured—but one day, years later, Leon's wife disappears from their apartment under mysterious circumstances. Could it be that his illness has broken out again?

In order to find out how he behaves in his sleep, Leon fits a movement activated camera to his forehead—and when he looks at the video the next morning he makes a discovery that bursts the borders of his imagination. His nocturnal personality goes through a door that is totally unknown to him and descends into the darkness.”

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The Slap

“The basis for the NBC event series directed by Lisa Cholodenko and starring Uma Thurman, Peter Sarsgaard, and Zachary Quinto.

In this powerful and riveting novel reminiscent of Liane Moriarty's Truly, Madly, Guilty, literary phenomenon Christos Tsiolkas unflinchingly exposes the inner workings of domestic life, friendship, and parenthood in the twenty-first century, and reminds us of the passions and malice that family loyalty can provoke. When a man slaps another couple’s child at a neighborhood barbecue, the event sends unforeseeable shock waves through the lives of all who are witness to it. Told from the points of view of eight people who were present, The Slap shows how a single action can change the way people think about how they live, what they want, and what they believe forever.”

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Lyrics Alley

"Lyrics Alley is the evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they've built for decades.

In 1950s Sudan, the powerful Abuzeid dynasty has amassed a fortune through their trading firm. With Mahmoud Bey at its helm, they can do no wrong. But when Mahmoud's son, Nur, the brilliant, handsome heir to the business empire, suffers a debilitating accident, the family stands divided in the face of an uncertain future. As British rule nears its end, the country is torn between modernizing influences and the call of traditions past—a conflict reflected in the growing tensions between Mahmoud's two wives: the younger, Nabilah, longs to return to Egypt and escape 'backward-looking' Sudan; while Waheeba lives traditionally behind veils and closed doors. It's not until Nur asserts himself outside the cultural limits of his parents that his own spirit and the frayed bonds of his family begin to mend.

Moving from Sudanese alleys to cosmopolitan Cairo and a decimated postcolonial Britain, this sweeping tale of desire, loss, despair, and reconciliation is one of the most accomplished portraits ever written about Sudanese society at the time of independence."

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With My Dog Eyes

"Hilda Hilst (1930–2004) was one of the greatest Brazilian writers of the twentieth century, but her books have languished untranslated, in part because of their formally radical nature. This translation of With My Dog-Eyes brings a crucial work from her oeuvre into English for the first time. 

With My Dog-Eyes is an account of an unraveling—of sanity, of language . . . After experiencing a vision of what he calls “a clear-cut unhoped-for,” college professor Amós Keres struggles to reconcile himself with his life as a father, a husband, and a member of the university with its “meetings, asskissers, pointless rivalries, gratuitous resentments, jealous talk, megalomanias.”

A stunning book by a master of the avant-garde."

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