Mozambique

Confession of the Lioness

A finalist for the Man Booker International Prize & shortlisted for the International Dublin Literary Award

“A dark, poetic mystery about the women of the remote village of Kulumani and the lionesses that hunt them.

Told through two haunting, interwoven diaries, Mia Couto's Confession of the Lioness reveals the mysterious world of Kulumani, an isolated village in Mozambique whose traditions and beliefs are threatened when ghostlike lionesses begin hunting the women who live there.

Mariamar, a woman whose sister was killed in a lioness attack, finds her life thrown into chaos when the outsider Archangel Bullseye, the marksman hired to kill the lionesses, arrives at the request of the village elders. Mariamar's father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the women themselves.

Both a riveting mystery and a poignant examination of women's oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.”

(Group read suggestion from Beth McCrea, book club co-founder.)

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The First Wife

“This is a powerful and angry book. The writing is urgent and surprising.” —Reading the World

“After twenty years of marriage, Rami discovers that her husband has been living a double—or rather, a quintuple—life. Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women—as well as an additional lover—according to polygamist custom, the rival lovers join together to declare their voices and demand their rights.

In this funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.”

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Neighbours

“On the eve of the Muslim festival of Eid, Narguiss, who 'never wanted anything to do with politics', is more preoccupied with family problems than with the radio news of kidnappings and murders. Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder.

Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique. Skilfully weaving together present events and age-old traditions through narrative 'snapshots', Lília Momplé gives us, in the drama of a few short hours, an insight into the consequences of Mozambique's complex history.”

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Tuner of Silences

A Radio France-Culture/Télérama best work of fiction by the winner of the Camões Prize and Neustadt Prize

Highly acclaimed by the NY Times

”Mwanito was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears.

Mwanito has been living in a former big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He’s been told that the rest of the world is dead, that all roads are sad, that they wait for an apology from God. Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden.

The eighth novel by the internationally bestselling Couto, The Tuner of Silences is the story of Mwanito’s struggle to reconstruct a family history that his father is unable to discuss. With the young woman’s arrival, however, the silence of the past quickly breaks down, and both his father’s story and the world are heard once more.

The Tuner of Silences has been published to acclaim in more than half a dozen countries. Now in its first English translation, this story of an African boy's quest for the truth endures as a magical, humanizing confrontation between one child and the legacy of war.”

”A phenomenal book … a paragon of contemporary African literature ... some of the most beautiful and moving prose being written today.” ―Words without Borders

“Brookshaw dexterously renders the novel's colloquial Portuguese into lively English…a task is made more exacting by the quality of Couto's brilliance.” —The New York Times

(Group read suggestion from Beth McCrea, book club co-founder.)

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Ualalapi

Named one of Africa’s hundred best books of the twentieth century, Ualalapi reflects on Mozambique’s past and present through interconnected narratives related to the last ruler of the Gaza Empire, Ngungunhane. Defeated by the Portuguese in 1895, Ngungunhane was reclaimed for propaganda purposes by Mozambique’s post-independence government as a national and nationalist hero. The regime celebrated his resistance to the colonial occupation of southern Mozambique as a precursor to the twentieth-century struggle for independence.

In Ualalapi, Ungulani challenges that ideological celebration and portrays Ngungunhane as a despot, highlighting the violence and tyranny that were hallmarks of the Gaza Empire. This fresh look at the history of late nineteenth-century southeast Africa provides a prism through which to examine the machinations of those in power in Mozambique during the 1980s.

“An English translation of this undisputed masterpiece of modern Mozambican fiction comes very welcome indeed. Both the translation and the foreword provide the Anglophone reader with an excellent introduction to the work of Ungulani Ba Ka Khosa, offering a compelling historical vision of peoples and cultures in the crucible of conflict.” —Hilary Owen, University of Oxford/University of Manchester

Ualalapi endures as one of the most compelling historical novels produced in post-independence Mozambique. . . . Khosa’s narrative exudes a foreboding and multifarious end-of-the-world mood.” —Luís Madureira, University of Wisconsin-Madison

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Woman of the Ashes

Finalist for the Man Booker International Prize

Alternating between two voices in both an oral and letter format, this is the first in a trilogy about the last emperor of southern Mozambique

“Southern Mozambique, 1894. Sergeant Germano de Melo is posted to the village of Nkokolani to oversee the Portuguese conquest of territory claimed by Ngungunyane, the last of the leaders of the state of Gaza, the second-largest empire led by an African. Ngungunyane has raised an army to resist colonial rule and with his warriors is slowly approaching the border village.

Desperate for help, Germano enlists Imani, a 15 year-old girl, to act as his interpreter. But when he develops romantic feelings for her, he fears that the attraction will compromise his mission. She belongs to the VaChopi tribe, one of the few who dared side with the Portuguese. But while one of her brothers fights for the Crown of Portugal, the other has chosen the African emperor. Standing astride two kingdoms, Imani is drawn to Germano, just as he is drawn to her. But she knows that in a country haunted by violence, the only way out for a woman is to go unnoticed, as if made of shadows or ashes. 

Alternating between the voices of Imani and Germano, Woman of the Ashes combines vivid folkloric prose, magical realism, and extensive historical research to give a spellbinding and unsettling account of war-torn Mozambique at the end of the nineteenth century.”

(A special thank you to book club member, Eydis West for the group read suggestion.)

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