The Dark Angel

“On the one hand, there's Lola. A grumpy retired policewoman who cannot get by without her two best friends: red wine and jigsaw puzzles. On the other, there's Ingrid, an American in love with Paris. By day she gives the best massages in the city, and her long nights are wilder still...

Their paths might not have crossed were it not for the murder of a young neighbour. Vanessa Ringer's body is found in the flat she shared with two schoolfriends, mutilated in the most cruel and unusual manner.

Suspicion falls on Maxime Duchamp, a charming restaurateur whose suave exterior hides a tragic past. Convinced of his innocence, Lola and Ingrid hit the streets to unmask the real killer.

Meanwhile, lying low, the victim's spurned lover, a high-stakes thief with one last heist to go, is plotting his revenge. His inner demon, the Dark Angel, has foreshadowed all...”

“An echo of Chandler's gallant, world-weary Philip Marlowe ... Sylvain successfully weaves a spider's web of unexplained events, suspicions and compelling motivations.” — Glasgow Herald

“Dominique Sylvain's thriller has the usual twists and turns and the obligatory dead body as expected of a crime novel. But what sets this typical piece apart from the others is the sleuths out to unmask the killer ... The writing is superb.“ —The Irish Examiner

(A special thank you to book club member, Yurena Bookish for the suggestion.)

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Monsieur Ibrahim and the Flowers of the Qu'ran

“Eric-Emmanuel Schmitt is one of the most performed French-language authors in the world.

Paris in the 1960s. Thirteen-year-old Moses lives in the shadow of his less-than loving father. When he's caught stealing from wise old shopkeeper Monsieur Ibrahim, he discovers an unlikely friend and a whole new world. Together they embark on a journey that takes them from the streets of Paris to the whirling dervishes of the Golden Crescent.

This delightful, moving play has already been a huge hit in Paris and New York. Performed in thirteen countries and published in twelve languages, it is also an award-winning film starring Omar Sharif.”

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Au Bonheur des Dames (aka The Ladies Delight)

“Through charm, drive, and diligent effort Octave Mouret has become the director of one of the finest new department stores in Paris, Au Bonheur des Dames.

Supremely aware of the power of his position, Mouret seeks to exploit the desire that his luxuriantly displayed merchandise arouses in the ladies who shop, and the aspirations of the young female assistants he employs.

Charting the beginnings of the capitalist economy and bourgeois society, Zola captures in lavish detail the greedy customers and gossiping staff, and the obsession with image, fashion, and gratification that was a phenomenon of nineteenth-century French consumer society. Of all Zola's novels, this may be the one with the most relevance for our own time.

Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumerism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.”

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Notes of a Crocodile

“Winner of the Lucien Stryk Asian Translation Prize

Longlisted for the PEN Translation Prize

A New York Times Editors' Choice

The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award.

An NYRB Classics Original

Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure.

Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend.

Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.”

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Not One Day

One of Flavorwire’s “22 Essential Women Writers to Read in Translation”

Winner of the 2018 Albertine Prize

Finalist for the 2018 Lamba Literary Awards

Finalist for the 2018 French American Foundation Translation Prize

Not One Day won the Prix Médicis in 2002, recognizing Garréta as an author “whose fame does not yet match their talent.”

“Not One Day begins with a maxim: ‘Not one day without a woman.’ What follows is an intimate, erotic, and sometimes bitter recounting of loves and lovers past, breathtakingly written, exploring the interplay between memory, fantasy, and desire.

‘For life is too short to submit to reading poorly written books and sleeping with women one does not love.’”

“Although the book swerves briefly into the erotic, the majority of the text is a heady meditation. Where we expect to find a confession of the body, we are in fact met with a confession of the mind, as Garréta laments the imposition of hetero normative gender roles upon queer desire. This leaves the reader with another question: how can we invent alternate ways to express desire outside of hetero dichotomy?” —Lambda Literary

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Infidels

Written by an author often cited as the “first openly gay novelist from Morocco,” where same-sex sexual activity has been illegal since 1962. Infidels tells the story of a ten-year-old boy, the son of a prostitute, who grows up to become a young gay Muslim, and then a jihadi (i.e., an Islamic militant). 

Set in Salé, Morocco—the hometown Abdellah Taïa fled but to which he returns again and again in his acclaimed fiction and films—Infidels follows the life of Jallal, the son of a prostitute witch doctor—”a woman who knew men, humanity, better than anyone. In sex. Beyond sex.” As a ten-year-old sidekick to his mother, Jallal spits in the face of her enemies both real and imagined.

The cast of characters that rush into their lives are unforgettable for their dreams of love and belonging that unravel in turn. Built as a series of monologues that are emotionally relentless—a mix of confession, heart's murmuring, and shouting match—the book follows Jallal out of boyhood on the path to Jihad. It's a path that surprises even him.

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Friend

“Paek Nam-nyong’s Friend is a tale of marital intrigue, abuse, and divorce in North Korea. A woman in her thirties comes to a courthouse petitioning for a divorce. As the judge who hears her statement begins to investigate the case, the story unfolds into a broader consideration of love and marriage. The novel delves into its protagonists’ past, describing how the couple first fell in love and then how their marriage deteriorated over the years. It chronicles the toll their acrimony takes on their son and their careers alongside the story of the judge’s own marital troubles.

A best-seller in North Korea, where Paek continues to live and write, Friend illuminates a side of life in the DPRK that Western readers have never before encountered. Far from being a propagandistic screed in praise of the Great Leader, Friend describes the lives of people who struggle with everyday problems such as marital woes and workplace conflicts. Instead of socialist-realist stock figures, Paek depicts complex characters who wrestle with universal questions of individual identity, the split between public and private selves, the unpredictability of existence, and the never-ending labor of maintaining a relationship. This groundbreaking translation of one of North Korea’s most popular writers offers English-language readers a page-turner full of psychological tension as well as a revealing portrait of a society that is typically seen as closed to the outside world.”

(A special thank you to book club member, Christine Jensen for the suggestion.)

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Flowers of Mold

“If you're looking for a book that will make you gasp out loud, you’ve found it.” —Kirkus Reviews

“This impressive collection reveals Ha’s close attention to the eccentricities of life, and is sure to earn her a legion of new admirers.” —Publishers Weekly

“Joining a growing cohort of notable Korean imports, Ha’s dazzling, vaguely intertwined collection of 10 stories is poised for Western acclaim.” —Booklist

On the surface, Ha Seong-nan’s stories seem pleasant enough, yet there’s something disturbing just below the surface, ready to permanently disrupt the characters’ lives.

A woman meets her next-door neighbor and loans her a spatula, then starts suffering horrific gaps in her memory. A man, feeling jilted by an unrequited love, becomes obsessed with sorting through his neighbors’ garbage in the belief that it will teach him how to better relate to people. A landlord decides to raise the rent, and his tenants hatch a plan to kill him at a team-building retreat.

In ten captivating, unnerving stories, Flowers of Mold presents a range of ordinary individuals—male and female, young and old—who have found themselves left behind by an increasingly urbanized and fragmented world.

The latest in the trend of brilliant female Korean authors to appear in English, Ha cuts like a surgeon, and even the most mundane objects become menacing and unfamiliar under her scalpel.

(Group read suggestion from Ivor Watkins, book club moderator.)

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The Hen Who Dreamed She Could Fly

The Korean Charlotte's Web

“It has the plain language of a folktale but also its power of dark suggestion.” —NPR

“Bewitching . . . a bestseller told from the point of view of a homeless hen, which will make grown men and women cry.” —The Independent
 
This is the story of a hen named Sprout. No longer content to lay eggs on command, only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild—and to hatch an egg of her own.

An anthem for freedom, individuality and motherhood featuring a plucky, spirited heroine who rebels against the tradition-bound world of the barnyard, The Hen Who Dreamed She Could Fly is a novel of universal resonance that also opens a window on Korea, where it has captivated millions of readers. And with its array of animal characters—the hen, the duck, the rooster, the dog, the weasel—it calls to mind such classics in English as Animal Farm and Charlotte’s Web.

Featuring specially-commissioned illustrations, this first English-language edition of Sun-mi Hwang’s fable for our times beautifully captures the journey of an unforgettable character in world literature.

(A special thank you to book club member, Christine Jensen for the group read suggestion.)

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I Have the Right to Destroy Myself

“A mesmerizing novel of a love triangle and a mysterious disappearance in South Korea.” —Booklist

In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same woman—Se-yeon—who tears at both of them as they all try desperately to find real connection in an atomized world. A spectral, nameless narrator haunts the edges of their lives as he tells of his work helping the lost and hurting find escape through suicide.

Dreamlike and beautiful, the South Korea brought forth in this novel is cinematic in its urgency and its reflection of contemporary life everywhere—far beyond the boundaries of the Korean peninsula. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself achieves its author’s greatest wish—to show Korean literature as part of an international tradition. Young-ha Kim is a young master, the leading literary voice of his generation.

(A special thank you to book club member, Nicole Viola Hinz-Schouwstra for the group read suggestion.)

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The Impossible Fairy Tale

“This transfixing experimental novel questions where sleep ends and books begin, a concept borrowed from Maurice Blanchot while the atmosphere of nightmarish dread and penetrating weirdness recalls a David Lynch film.” —Publishers Weekly

One of World Literature Today's 75 Notable Translations of 2017

The Impossible Fairy Tale is the story of two unexceptional grade-school girls. Mia is “lucky”—she is spoiled by her mother and, as she explains, her two fathers. She gloats over her exotic imported colored pencils and won’t be denied a coveted sweater. Then there is the Child who, by contrast, is neither lucky nor unlucky. She makes so little impression that she seems not even to merit a name.

At school, their fellow students, whether lucky or luckless or unlucky, seem consumed by an almost murderous rage. Adults are nearly invisible, and the society the children create on their own is marked by cruelty and soul-crushing hierarchies. Then, one day, the Child sneaks into the classroom after hours and adds ominous sentences to her classmates’ notebooks. This sinister but initially inconsequential act unlocks a series of events that end in horrible violence.

But that is not the end of this eerie, unpredictable novel. A teacher, who is also this book’s author, wakes from an intense dream. When she arrives at her next class, she recognizes a student: the Child, who knows about the events of the novel’s first half, which took place years before. The Impossible Fairy Tale is a fresh and terrifying exploration of the ethics of art making and of the stinging consequences of neglect.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Kim Jiyoung, Born 1982

A NY Times Editors Choice Selection

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of misogyny.

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist.

In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first.

Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her?

Rendered in minimalist yet lacerating prose, this book sits at the center of our global #MeToo movement and announces the arrival of writer of international significance.

(Group read suggestion from Ivor Watkins, book club moderator.)

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The Plotters

Named a Best Thriller of the Year by:
The Washington Post
The Telegraph

A fantastical crime novel set in an alternate Seoul where assassination guilds compete for market dominance.

Behind every assassination, there is an anonymous mastermind—a plotter—working in the shadows. Plotters quietly dictate the moves of the city’s most dangerous criminals, but their existence is little more than legend. Just who are the plotters? And more important, what do they want?

Reseng is an assassin. Raised by a cantankerous killer in the crime headquarters “The Library,” Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans. And when he uncovers an extraordinary scheme set into motion by an eccentric trio of young women—a convenience store clerk, her wheelchair-bound sister, and a cross-eyed librarian—Reseng will have to decide if he will remain a pawn or finally take control of the plot.

Crackling with action and filled with unforgettable characters, The Plotters is a deeply entertaining thriller that soars with the soul, wit, and lyricism of real literary craft.

(Group read suggestion from Beth McCrea, book club co-founder.)

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Damascus Nights

“In the classical Arab tradition of tale-telling, here is a magical book that celebrates the power of storytelling, delightfully transformed for modern sensibilities by an award-winning author.

The time is present-day Damascus, and Salim the coachman, the city's most famous storyteller, is mysteriously struck dumb. To break the spell, seven friends gather for seven nights to present Salim with seven wondrous ‘gifts’—seven stories of their own design.

Upon this enchanting frame of tales told in the fragrant Arabian night, the words of the past grow fainter, as ancient customs are yielding to modern turmoil. While the hairdresser, the teacher, the wife of the locksmith sip their tea and pass the water pipe, they swap stories about the magical and the mundane: about djinnis and princesses, about contemporary politics and the difficulties of bargaining in a New York department store. And as one tale leads to another... and another... all of Damascus appears before your eyes, along with a vision of storytelling-and talk-as the essence of friendship, of community, of life.

A sly and graceful work, a delight to readers young and old, Damascus Nights is ‘a highly atmospheric, pungent narrative’ (Publishers Weekly) while also being ‘enlightening, endearing, witty, and wise’ (Library Journal).”

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Impossible Revolution

Bloomberg's Best Books of 2017

“Yassin al-Haj Saleh is widely regarded as Syria’s foremost thinker and the intellectual authority of the Syrian uprising. Born in Raqqa, he spent sixteen years as a political prisoner in Syria (1980–1996) and has been living in exile in Turkey since 2013.

This first book in English by Saleh describes with precision and fervor the events that led to the Syrian uprising of 2011―the metamorphosis of the popular revolution into a regional war and the ‘three monsters’ Saleh sees ‘treading on Syria’s corpse:’ the Assad regime and its allies, ISIS and other jihadists, and the West. Where conventional wisdom has it that Assad’s army is now battling against religious fanatics for control of the country, Saleh argues that the emancipatory, democratic mass movement that ignited the revolution still exists, though it is beset on all sides.

Saleh offers incisive critiques of the impact of the revolution and war on Syrian governance, identity, and society to produce a powerful and compelling response to the traumas that define the contemporary Syrian experience. All those concerned with the conflict should take note.”

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My Country

“Kassem Eid survived arrest in al-Assad's regime, a chemical weapons attack that shocked the world, and the siege of a city where he fought with the Syrian rebel army. This is his story—a unique and powerfully moving testimony for our times, with a foreword by Janine di Giovanni.

On August 21, 2013, Kassem Eid nearly died in a sarin gas attack in the town of Moadamiya. At least 1,500 people were killed. Later that day, he was hit by a mortar while helping the Free Syrian Army fight government forces. He survived that, too. But his entire world-friends, neighbors, family, everything he knew-had been devastated beyond repair.

Eid recalls moving to Moadamiya in 1989, at the age of three. The streets where he and his eleven siblings played were fragrant with jasmine. But he soon realized that he was treated differently at school because of his parent's Palestinian immigrant origins, and their resistance to the brutal regime. When Bashar al-Assad succeeded his father in 2000, hopes that he would ease the state's severity were swiftly crushed.

The unprecedented scope of this brave, deeply felt memoir makes it unique in the body of literature to emerge from the Syrian civil war. Eid illuminates the realities of growing up in a corrupt dictatorship; the strictures of living under siege; the impact of unspeakable violence; and how, at extraordinary personal risk, he drew worldwide attention to the assault on cities across Syria. This is a searing account of oppression, war, grit, and escape, and a heartbreaking love letter to a world lost forever.”

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No Knives in the Kitchens of This City

Critcally acclaimed and winner of the Naguib Mahfouz Medal for Literature

“In the once beautiful city of Aleppo, one Syrian family descends into tragedy and ruin.

Irrepressible Sawsan flirts with militias, the ruling party, and finally religion, seeking but never finding salvation. She and her siblings and mother are slowly choked in violence and decay, as their lives are plundered by a brutal regime.

Set between the 1960s and 2000s, No Knives in the Kitchens of this City unravels the systems of fear and control under Assad. With eloquence and startling honesty, it speaks of the persecution of a whole society.”

“Khaled Khalifa writes about his native city with sensuality and an almost feral intensity. No Knives in the Kitchens of This City offers a glimpse into how terrified and empty of hope the people of a city must be to rise up in revolt. The future offers them nothing. It is a castle of closed doors…the sights, smells and horror of living in Aleppo come pounding to life in this book. The place, to me, is no longer an abstraction, and Mr. Khalifa clearly fears for its fate throughout.” - The NY Times

“Intricately plotted, chronologically complicated and a pleasure to read. The writing is superb—a dense, luxurious realism pricked with surprising metaphors. It is lyrical, sensuous and so semantically rich that at times it resembles a prose poem…A sad but beautiful book, providing important human context to the escalating Syrian tragedy.” -- The Guardian

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Black Run

“Already an international hit, a sly, sizzling mystery—the first in a sensational crime series—set in the Italian Alps, reminiscent of the works of Andrea Camilleri, D. A. Mishani, Donna Leon, and Henning Mankell.

Getting into serious trouble with the wrong people, deputy prefect of police Rocco Schiavone is exiled to Aosta, a small, touristy alpine town far from his beloved Rome. The sophisticated and crotchety Roman despises mountains, snow, and the provincial locals as much as he disdains his superiors and their petty rules. But he loves solving crimes.

When a mangled body has been discovered on a ski run above Champoluc, Rocco immediately faces his first challenge—identifying the victim, a complex procedure complicated by his ignorance of the customs, dialect, and history of his new home. Proud and undaunted, Rocco makes his way among the ski runs, mountain huts, and aerial tramways, meeting ski instructors, Alpine guides, the hardworking, enigmatic folk of Aosta, and a few beautiful locals eager to give him a warm welcome.

It won't be easy, this mountain life, especially with a corpse or two in the mix. But then there's nothing that makes Rocco feel more at home than an investigation.

An insightful observer of human nature, Antonio Manzini writes with sly humor and a dash of irony, and introduces an irresistible hero—a fascinating blend of swagger, machismo, and vulnerability—in a colorful and atmospheric crime mystery series that is European crime fiction at its best.”

“Forget Montalbano. Commisario Rocco Schivone is grievous, coarse, violent … Wonderful, heartbreaking.” — L'Uomo Vogue

“Surly, moody, individualistic, unconventional, corrupt, abusive, with a dark past, Rocco Schiavone seems to come from the dark metropolis of a novel by James Ellroy.”—L'Indice

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Night Watch

“Night Watch is an epic of extraordinary power.” —Quentin Tarantino

“Brace yourself for [an adult version of] Harry Potter in Gorky Park. . . . The novel contains some captivating scenes and all kinds of marvelous, inventive detail.” —The Washington Post Book World

“An international bestseller [as] potent as a shot of vodka. . . . [A] compelling urban fantasy.” —Publishers Weekly

They are the ‘Others,’ an ancient race of supernatural beings—magicians, shape-shifters, vampires, and healers—who live among us. Human born, they must choose a side to swear allegiance to—the Dark or the Light—when they come of age.

For a millennium, these opponents have coexisted in an uneasy peace, enforced by defenders like the Night Watch, forces of the Light who guard against the Dark. But prophecy decrees that one supreme ‘Other’ will arise to spark a cataclysmic war.

Anton Gorodetsky, an untested mid-level Light magician with the Night Watch, discovers a cursed young woman—an Other of tremendous potential unallied with either side—who can shift the balance of power. With the battle lines between Light and Dark drawn, the magician must move carefully, for one wrong step could mean the beginning of annihilation.

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Phaedra

“Wake the living Galleons at your peril…

The Elder Race once ruled the entire Alastor cluster. Fierce predators, they tore suns from the sky, leaving the worlds of their enemies to freeze in the dark. Now only the Galleons are left: living ships that sail the world river which girds Phaedra: Alastor 824.

After the death of his father, Gunnar arrives on that ancient world, trying to find a new home. Having two girlfriends sounds like a good start, but Lavoine is the deeply tricky daughter of the last Voodoo queen, and Semele a fierce huntress who has sworn never to kiss a boy until she Walks with the Galleons. And now Lavoine is trying to wake up the Galleons and bring back the Elders.

On the Paladins of Vance label, Spatterlight publishes original works by authors who have given their own imagination free rein in the many wonderful worlds of the Grandmaster of fantasy & sci-fi, Jack Vance. Tais Teng is a Dutch fantasy and science fiction writer, illustrator, and sculptor who has won the Paul Harland Award—the Dutch Hugo Award—four times.”

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