lgbtqiap

A Long Way from Doula

Bursting with local color, this hilarious, heartwarming coming-of-age tale follows two friends on a raucous journey across Cameroon as they grapple with grief, sexuality, and dreams of leaving. 

After their father’s sudden death, Jean’s older brother Roger decides he’s had enough of their abusive mother and their city. He runs away to try his luck crossing illegally into Europe, in the hope of becoming a soccer star abroad. When no news of him reaches the family, and the police declare that finding some feckless brat isn’t worth their time, Jean feels he has to act. Aiming to catch up with Roger before he gets to the Nigerian border, Jean enlists the help of the older Simon, a close neighborhood friend, and the two set out on the road. 

Through a series of joyful, sparky vignettes, Cameroon life is revealed in all its ups and downs. Max Lobe insightfully touches on grave, complex issues, such as the violence Boko Haram has inflicted on the region, yet still recounts events with remarkable humor and levity.

Artfully constructed and absorbing…Lobe has the ability to summon up whole worlds in a careful economy of phrase, bringing individuals and communities to life beyond the photogenic opportunism of breaking news.” —Irish Times
 
“Max Lobe has emerged as a name to watch…for his topical, rip-roaring explorations of life, society and politics in both his birth and adopted countries…There’s a lot to like about his straight-talking prose and sparky, Camfranglais-sprinkled dialogues, and I’d happily have stayed on board for longer.” —European Literature Network
 
“Lobe is a brilliant young talent…This defiant and uplifting immigrant’s story is powerful and persuasive…[a] stylish and colorful tale, rich and insightful.” —NB Magazine

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Jawbone

Finalist for the 2022 National Book Award in Translated Literature, Longlisted for the PEN Translation Prize & Ms. Magazine “Favorite Books of 2022”

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise?

When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.

Interweaving pop culture references and horror concepts drawn from Herman Melville, H. P. Lovecraft, and anonymous “creepypastas,” Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.

“Delectable. . . . There are echoes of Lovecraft and Shirley Jackson at play, but the vision is ultimately Ojeda’s own―delicious in how it seduces and disturbs the reader as the girls rely on horror both as entertainment and as a way of staving off the actual terrors of growing up. This is creepy good fun.” ―Publishers Weekly

“Edgar Allan Poe meets a few of the mean girls. . . . Mother-daughter relationships slide under Ojeda’s microscope, sharing space with the teacher-student dynamic and deities as objects in an exploration of power and sexuality during adolescence. . . . Every good horror story needs a victim; Ojeda’s monsters and victims wear the same faces.” ―Kirkus

“Rife with gothic body horror and the darkness of the jungle and within ourselves. . . . Ojeda is a strikingly singular voice, combining basic teen angst with stark madness and the power of teen girls to push back in a world that tries to make them powerless.” ―The Brooklyn Rail

(A special thank you to book club member, Jordi Valbuena for the suggestion.)

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Butter Honey Pig Bread

Finalist - Lambda Literary Award, Governor General's Literary Award, Longlisted for the Scotiabank Giller Prize

An intergenerational saga about three Nigerian women: a novel about food, family, and forgiveness.

Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

Francesca Ekwuyasi's debut novel tells the interwoven stories of twin sisters, Kehinde and Taiye, and their mother, Kambirinachi. Kambirinachi feels she was born an Ogbanje, a spirit that plagues families with misfortune by dying in childhood to cause its mother misery. She believes that she has made the unnatural choice of staying alive to love her human family and now lives in fear of the consequences of that decision.

Some of Kambirinachi's worst fears come true when her daughter, Kehinde, experiences a devasting childhood trauma that causes the family to fracture in seemingly irreversible ways. As soon as she's of age, Kehinde moves away and cuts contact with her twin sister and mother. Alone in Montreal, she struggles to find ways to heal while building a life of her own. Meanwhile, Taiye, plagued by guilt for what happened to her sister, flees to London and attempts to numb the loss of the relationship with her twin through reckless hedonism.

Now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos to visit their mother. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.

“The stories of Kambirinachi and her daughters, Taiye and Kehinde, unfold in lyrical, emotionally affecting parallel narratives . .. Written in sizzling prose, Ekwuyasi's assured, inspired debut will impress fans of Akwaeke Emezi.” —Publishers Weekly

(A special thank you to book club member, Layne Percival for the suggestion.)

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Dear Senthuran

Featured on the cover of Time Magazine as a 2021 next generation leader

In critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, native belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji (view on Amazon) reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal.

Electrifying and inspiring, animated by the same voracious intelligence that distinguishes their fiction, Dear Senthuran is a revelatory account of storytelling, self, and survival.

“A once-in-a-generation voice.” —Vulture

“One of our greatest living writers.” —Shondaland

“A thing of great beauty . . . Dear Senthuran is about powerful excellence, especially the excellence that appears in bodies that aren’t white and aren’t male. Emezi is changing the world and our reaction to this kind of power.” —The Paris Review

“An audacious sojourn through the terror and beauty of refusing to explain yourself.” —New York Times Book Review

“The brilliant Akwaeke Emezi candidly shares their reflections on gender, embodiment, queerness, creativity and relationships with the same fierce dedication and candor that defines their bestselling novels.” —Ms. Magazine

(A special thank you to book club member, Heather Purcell for the suggestion.)

Note: Great on audio—read by the author herself!

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City of Strife

130 years have passed since Arathiel last set foot in his home city. Isandor hasn’t changed—bickering merchant families still vie for power through eccentric shows of wealth—but he has. His family is long dead, a magical trap has dulled his senses, and he returns seeking a sense of belonging now long lost.

Arathiel hides in the Lower City, piecing together a new life among in a shelter dedicated to the homeless and the poor, befriending an uncommon trio: the Shelter’s rageful owner, Larryn, his dark elven friend Hasryan, and Cal the cheese-loving halfling. When Hasryan is accused of Isandor's most infamous assassination of the last decade, what little peace Arathiel has managed to find for himself is shattered. Hasryan is innocent… he thinks. In order to save him, Arathiel may have to shatter the shreds of home he’d managed to build for himself.

Arathiel could appeal to the Dathirii—a noble elven family who knew him before he disappeared—but he would have to stop hiding, and they have battles of their own to fight. The idealistic Lord Dathirii is waging a battle of honour and justice against the cruel Myrian Empire, objecting to their slavery, their magics, and inhumane treatment of their apprentices. One he could win, if only he could convince Isandor’s rulers to stop courting Myrian’s favours for profit.

In the ripples that follow Diel’s opposition, friendships shatter and alliances crumble. Arathiel, the Dathirii, and everyone in Isandor fights to preserve their homes, even if the struggle changes them irrevocably.

City of Strife is the first installment of the City of Spires trilogy, a multi-layered political fantasy led by an all LGBTQIAP+ cast. Fans of complex storylines criss-crossing one another, elves and magic, and strong friendships and found families will find everything they need within these pages.

Note: Arseneault is an asexual & aromantic-spectrum writer who writes sci fi & fantasy led by aromantic & asexual heroes. She also maintains a database of aro & ace characters & books from a large variety of writers. City of Strife includes an asexual aromantic character & a graysexual character. If these terms are new to you: An asexual (aka “ace”) is someone who does not experience sexual attraction. An aromantic (aka “aro”) is a person who experiences little or no romantic attraction to others. A graysexual is someone who experiences limited sexual attraction (i.e., they experience sexual attraction very rarely or with very low intensity).

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After Elias

2021 Edmund White Award Finalist

When the airplane piloted by Elias Santos crashes one week before their wedding day, Coen Caraway loses the man he loves and the illusion of happiness he has worked so hard to create. The only thing Elias leaves behind is a recording of his final words, and even Coen is baffled by the cryptic message.

Numb with grief, he takes refuge on the Mexican island that was meant to host their wedding. But as fragments of the past come to the surface in the aftermath of the tragedy, Coen is forced to question everything he thought he knew about Elias and their life together. Beneath his flawed memory lies the truth about Elias—and himself.

From the damp concrete of Vancouver to the spoiled shores of Mexico, After Elias weaves the past with the present to tell a story of doubt, regret, and the fear of losing everything.

”Arresting... [a] deftly crafted novel.” ―Foreword Reviews

“Tan has written an immersive, unpredictable, engaging novel propelled by mystery, softened by tenderness, and enriched with little wisdoms.” ―Patrick Nathan, noted author

”Tan has crafted a page turner from a set of unlikely ingredients—tragedy, grief, pain and the darker shadows of the human mind. But most of all he has written tenderly, resplendently, about love.” —Christopher J. Yates, noted author

”It's rare to find a book that works well as a deeply emotional exploration of grief and as a suspenseful thriller, but After Elias manages this feat.” —Booklist

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Cobalt Blue

A literary sensation in South Asia, this memorable novel confronts issues of sexuality in India through a love triangle with a brother and sister falling for the same man. Cobalt Blue is a tale of rapturous love and fierce heartbreak told with tenderness and unsparing clarity.

Brother and sister Tanay and Anuja both fall in love with an artist lodging in their family home in Pune, Western India. He seems like the perfect tenant, ready with the rent and happy to listen to their mother’s musings on the imminent collapse of Indian culture. But he’s also a man of mystery. He has no last name. He has no family, no friends, no history, and no plans for the future.

Translated from the Marathi by acclaimed novelist and critic Jerry Pinto, Sachin Kundalkar’s elegantly wrought and exquisitely spare novel explores the disruption of a traditional family by a free-spirited stranger in order to examine a generation in transition. Intimate, moving, sensual, and wry in its portrait of young love, Cobalt Blue is a frank and lyrical exploration of gay life in India that recalls the work of Edmund White and Alan Hollinghurst—of people living in emotional isolation, attempting to find long-term intimacy in relationships that until recently were barely conceivable to them

“A mesmerizing novel of heartbreak, memory, and the ease of falling in love set against the impossibility of fully knowing other people.” —Kamila Shamsie, noted author

“One of the most shocking and brilliantly worded stories of love. . . . The story will stick with you, and long after you read it, the novel will play on your mind, forcing you to revisit it from time to time.” ―Buzzfeed

“Cobalt Blue reads like a love song . . . Kundalkar’s writing is masterful in its play of voice, capturing through his characters the claustrophobia of a small town, their longing to escape a middle class existence, and how love, and being in love, has the ability to transform every small detail from the mundane to the magnificent.”—Scroll.in

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Amora

Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

From an emerging talent comes an exquisite collection of stories exploring the complexity of love between women.

Amora dares explore the way women love each other—the atrophy and healing of the female spirit in response to sexual desire and identity. These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.

Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. These pages are adorned with a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.

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First Spring Grass Fire

Lambda Literary Award Finalist

Transgender indie electronica singer-songwriter Rae Spoon has six albums to their credit, including I Can't Keep All of Our Secrets. This first book by Rae (who uses “they” as a pronoun) is a candid, powerful story about a young person growing up queer in a strict Pentecostal family in Alberta.

The narrator attends church events and Billy Graham rallies faithfully with their family before discovering the music that becomes their salvation and means of escape. As their father's schizophrenia causes their parents' marriage to unravel, the narrator finds solace and safety in the company of their siblings, in their nascent feelings for a girl at school, and in their growing awareness that they are not the person their parents think they are. With a heart as big as the prairie sky, this is a quietly devastating, heart-wrenching coming-of-age book about escaping dogma, surviving abuse, finding love, and risking everything for acceptance.

“First Spring Grass Fire will be meaningful to anyone who has struggled to fit in. By telling these stories—of being different, queer, raised in a rigid belief system you didn't choose, trying to be yourself within circumstances you can't control—Rae Spoon illustrates the triumph in reclaiming and controlling your own identity. This moving collection is a story of what we do to find a place, physical or intangible, that we can call home.” —National Post

“The prose is concise without ornamentation; emotionally moving because of its raw honesty. While issues of gender and sexuality certainly underline the majority of the narrator's existential despair, the book works because it pushes the reader to understand the humanity of the narrator rather than simply a trans or lesbian narrative. It demonstrates the commonality of grief, loss, fear, pain, love, and longing.”
—Lambda Literary

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Under My Skin



Min Lee is a workaholic who can’t say no. She substitutes sleep with Red Bull and, through a combination of repression and bad habits, has managed to score herself a luxury apartment, a fabulous boyfriend and the approval of her billionaire CEO. Things are looking pretty awesome… well, apart from those body image issues that constantly plague her.

But Min thinks she's got everything worked out. She's arranged her comfort zone and has zero desire to look outside of it… or, so she tells herself.

It’s not until a troubled schoolgirl tracks her down from the Internet, stalks her to her home and noses her way into life that Min begins to admit that something is wrong in her perfect world. Something that she's never thought about before, and doesn’t even want to think about. Something that has the power to ruin all her relationships and dismantle everything in her life she’s worked so very hard for.

What if “she” isn’t the right word for Min at all?

“When was the last time a book hooked you so deeply you actually worried about the characters when you weren't reading? I didn’t want this book to end!” —Olin Elliott

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Our Lives Our Words

“Fear. I was scared to walk on the road for fear of people recognizing me. I was afraid the police might arrest me. I avoided taking the bus, not sure whom I could sit next to. I was scared to use the public toilet for fear that people might know my difference. I was scared that rotten tomatoes might hit me in the market. I was scared of falling in love for fear of being hit hard.”

The stories in this landmark volume chronicle, in their own words, the lives of aravanis* with narratives of pain and courage, of despair and triumph.

Aravanis have long been the invisible yet hyper-visible subjects of a societal gaze that reduces them to stereotype. Imagined as often as looked at or talked about, simultaneously revered and cursed, they have, in the process, been refused individual histories, lives and identities, even selves. Yet the community continues to challenge and subvert this view, persistently refusing to allow itself to be shamed or victimized. Some of the greatest recent victories in this ongoing battle for rights have been won in Tamil Nadu (a state in southern India), where the government first began to recognize many of the rights of the hijra community.

These stories are amongst the first accounts of hijra lives to be produced entirely by the members of the community themselves.

*As Identiversity notes, “nonbinary identities may seem like a new phenomenon in Western culture, but that’s not the case in other parts of the world. In India, a third gender identity known as hijra (or aravani in Tamil Nadu) has been intertwined with Indian culture for thousands of years, with hijras holding a prominent place in some of the most significant ancient Hindu texts.

Prior to British rule, hijras enjoyed a degree of acceptance in Indian society, playing a key role in celebrations. However, the colonial era was marked by criminalization and persecution, and today’s hijras—which include people who are intersex, transgender, and eunuchs—continue to occupy an uneasy space in Indian culture. Many are forced to eke out a living through begging or functioning as sex workers.

Efforts to gain legal protections took a significant step forward in 2014, when the Supreme Court of India officially recognized hijras as a third gender.

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I Hope We Choose Love

American Library Association Stonewall Book Awards Honor Book & Winner, Publishing Triangle Award for Trans and Gender-Variant Literature

What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith?

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, acclaimed poet and essayist Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as Adrienne MareeBrown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.

“In this brave and skillfully written collection of essays, Kai Cheng Thom dares to be really honest—to write truths that go beyond easy orthodoxy to her and our own messy, complex, real stories. As a suicide survivor and someone who does work around suicide in queer and femme communities, I deeply appreciate her clarity about how suicide shows up in queer and trans communities and the ways in which social justice, queer, trans and/or Black and brown communities turn on and hurt each other while trying to keep ourselves safe. This is a brave book, and an essential text for everyone trying like hell to create something that will come after the end of the world. Read it, and prepare to have your mind challenged and opened.” —Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice

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Little Fish

Winner, Lambda Literary Award; Amazon Canada First Novel Award; Firecracker Award for Fiction; A Globe and Mail Best Book of the Year

It's the dead of winter in Winnipeg and Wendy Reimer, a thirty-year-old trans woman, feels like her life is frozen in place. When her Oma (grandmother) passes away, Wendy receives an unexpected phone call from a distant family friend with a startling secret: Wendy's Opa (grandfather)—a devout Mennonite farmer—might have been transgender himself. At first she dismisses this revelation, but as Wendy's life grows increasingly volatile, she finds herself aching for the lost pieces of her Opa's truth.

But this isn’t a story about her Opa. It’s a slice-of-life story about Wendy. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.

“I have never felt as seen, understood, or spoken to as I did when I read Little Fish. Never before in my life. Casey remains one of THE authors to read if you want to understand the interior lives of trans women in this century.” —Meredith Russo, author of If I Was Your Girl

“A touching and beautiful novel.” —The Independent (UK)

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Funny Boy

Lambda Literary Award Winner

An evocative coming-of-age novel about growing up gay in Sri Lanka during the Tamil-Sinhalese conflict—one of the country’s most turbulent and deadly periods.

Arjie is “funny.”

The second son of a privileged family in Sri Lanka, he prefers staging make-believe wedding pageants with his female cousins to battling balls with the other boys. When his parents discover his innocent pastime, Arjie is forced to abandon his idyllic childhood games and adopt the rigid rules of an adult world. Bewildered by his incipient sexual awakening, mortified by the bloody Tamil-Sinhalese conflicts that threaten to tear apart his homeland, Arjie painfully grows toward manhood and an understanding of his own “different” identity.

Set in the mannered, lush world of upper middle class Tamils in Sri Lanka, this deeply moving novel, though not autobiographical, draws on Selvadurai’s experience of being gay in Sri Lanka and growing up during the escalating violence between the Buddhist Sinhala majority and Hindu Tamil minority in the 1970’s and early 1980’s.

Refreshing, raw, and poignant, Funny Boy is an exquisitely written, compassionate tale of a boy’s coming-of-age that quietly confounds expectations of love, family, and country as it delivers the powerful message of staying true to one’s self no matter the obstacles.

“Selvadurai writes as sensitively about the emotional intensity of adolescence as he does about the wonder of childhood.” —New York Times Book Review

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Sexographies

In fierce and sumptuous first-person accounts, renowned Peruvian journalist Gabriela Wiener records infiltrating the most dangerous Peruvian prison, participating in sexual exchanges in swingers clubs, traveling the dark paths of the city in the company of prostitutes, undergoing a complicated process of egg donation, and participating in a ritual of ayahuasca ingestion in the Amazon jungle—all while taking us on inward journeys that explore immigration, maternity, fear of death, ugliness, and threesomes. Fortunately, our eagle-eyed voyeur emerges from her narrative forays unscathed and ready to take on the kinks, obsessions, and messiness of our lives. Sexographies is an eye-opening, kamikaze journey across the contours of the human body and mind.

“The most striking quality of Sexographies is Wiener’s fearlessness―her ability to broach any topic without the slightest flinch, however unfamiliar or achingly personal…. her essays do not deal solely in sex, as the title of the collection may suggest, but in the exploration of identity and gender. How are we to make sense of our own bodies and the bodies of others? Why is it that we with the internet at our fingertips supposedly know more than ever, yet often experience less and are less open to the experiences of others? Wiener urges us to ask these questions in order to uncover the artificial boundaries that have confined us to our own experiences. Nothing is off limits to Gabriela Wiener and she spares her readers no detail of her adventures. The result is Sexographies―an addictive and darkly funny collection that surprises at every turn.” —The Arkansas International

(Group read suggestion from Beth McCrea, book club co-founder.)

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Baby

Cynthia is 21, bored, and desperately waiting for something big to happen. Her striking fitness instructor, Anahera, is ready to throw in the towel on her job and marriage. Emptying Cynthia's father's bank account, they run away and buy “Baby,” an old boat docked in a beautiful bay, where Cynthia dreams they will live in a state of love. But when Gordon the German comes to live on board Baby, two’s company and three’s a crowd, especially when you’re a psychopath living on a tiny boat. Gordon soon becomes a rival for Anahera’s affections, and perhaps even worse than that, he dares to hold a mirror up to Cynthia and her narcissism.

“Cynthia, the simpering, scheming, covetous emotional sinkhole of Jochems’s debut novel, Baby, is alive and squirming; a memorable addition to the growing coteries of unapologetic antiheroines (dis)gracing the pages of contemporary fiction … There are echoes here of Megan Abbott, Emma Cline, Zoë Heller and Miranda July: writers drawn to the intricacies and ferocious possibilities of female friendship. There’s a dollop, too, of Tom Ripley and a dash of Lord of the Flies. What Jochems adds is a cloying grotesqueness. Baby is a novel of close-quarters living: of masticating mouths and human stink; of piss and vomit, sunburn and bruises, pimples and dandruff; of new fat expanding under the skin. A novel of bodies.” —The Guardian

“From page one, Baby is a dryly funny study of a young woman driven to shocking acts by what seems like boredom and lust alone, devoid of any semblance of a conscience … Come to Baby for a full-blown psychopath who makes you laugh out loud despite your horror.” —The Saturday Age

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Story of an African Farm

The Story of an African Farm (first published in 1883) marks an early appearance in fiction of Victorian society’s emerging New Woman. The novel follows the spiritual quests of Lyndall and Waldo, who each struggle against social constraints in their search for happiness and truth: Lyndall, against society’s expectations of women, and Waldo against stifling class conventions.

Written from the margins of the British empire, the novel addresses the conflicts of race, class, and gender that shaped the lives of European settlers in Southern Africa before the Boer Wars.

Highly acclaimed ever since its first publication in 1883 for the bold manner in which it dealt with some of the issues of the day, it also caused some controversy over its frank portrayal of freethought, feminism, premarital sex, pregnancy out of wedlock, & cross dressing.

Please keep in mind that older books include some things nowadays considered unsavory, outdated, or wrong such as racism.

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The Tree and the Vine

“This courageous early work of lesbian fiction (1951) tells the gripping story of two women torn between desires and taboos in the years leading up to the Nazi occupation of Amsterdam. 

When Bea meets Erica at the home of a mutual friend, this chance encounter sets the stage for the story of two women torn between desire and taboo.

Erica, a reckless young journalist, pursues passionate but abusive affairs with different women. Bea, a reserved secretary, grows increasingly obsessed with Erica, yet denial and shame keep her from recognizing her attraction. Only Bea’s discovery that Erica is half-Jewish and a member of the Dutch resistance—and thus in danger—brings her closer to accepting her own feelings.

First published in 1954 in the Netherlands, Dola de Jong’s The Tree and the Vine was a groundbreaking work in its time for its frank and sensitive depiction of the love between two women, now available in a new translation.”

“A jewel hidden in plain sight.” —Kirkus Reviews, Starred Review

“This compelling novel allows us entry into a world in which the word lesbian is unspeakable and to be a Jew is unspeakably dangerous.” —Evelyn Torton Beck, editor of Nice Jewish Girls: A Lesbian Anthology

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The Skin is the Elastic Covering that Encases the Entire Body

“What if your first true love broke all known taboos? What if your very first romance drowned you in a whirlpool of transgression? A coming-of-age novel that is minutely in tune with the perversions of its narrator’s body, The Skin Is the Elastic Covering that Encases the Entire Body defines category. The desperate account of a teenage boy in love with a much older riding instructor, it follows the unforgettable Bjorn as he pushes his flesh to its very limits, annihilating boundaries of gender and sexuality in a search for impossible gratification.

A feverish combination of stream of conscious, autobiography, collage, and narrative, Skin marks the arrival of a truly original literary voice. It is as omnivorous as the bodies within it, as unrestrained as the appetites, terrors, and trystings that celebrated author Bjorn Rasumssen evokes in poetic detail. Deeply emotional, erotic, elegiac, and pansexual, it caresses the wounds we visit upon our flesh and soul in an attempt to serve the urges of the body’s largest organ—the skin that covers and defines us.”

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The Adventures of China Iron

Winner of the International Booker Prize 2020 

Best books published in Latin America 2017 ―New York Times

Best books dealing with feminism, sisterhood and queerness ―Pagina/12

“‘I took off my dress and the petticoats and I put on the Englishman’s breeches and shirt. I put on his neckerchief and asked Liz to take the scissors and cut my hair short. My plait fell to the ground and there I was, a young lad. Good boy she said to me, then pulled my face towards her and kissed me on the mouth. It surprised me, I didn’t understand, I didn’t know you could do that and it was revealed to me so naturally: why wouldn’t you be able to do that? Liz’s imperious tongue entered my mouth, her spicy, flowery saliva tasted like curry and tea and lavender water.’

1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building.

This subversive retelling of Argentina’s foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

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