Cameroon

The Impatient

A powerful, heartrending, and insightful novel of a trio of women in Cameroon who dare to rebel against oppressive, long-held cultural traditions—including polygamy and domestic abuse—that define and limit their lives.

In North Cameroon, well-to-do young Ramla is torn from her true love and wed to a manipulative older man. Safira, her co-wife, juggles envy and empathy for this new bride with disappointment in the husband she desperately loves. Like her older sister, Ramla, Hindou is married off to a man she does not know or want, a distant cousin whose instability and violence terrifies her.

From an early age, these women were raised to submit to men, or risk shame and repudiation of themselves and their families. They are advised to have munyal—patience. They are told that their fates are the will of the All-Powerful, and that it is unthinkable—or rather, impossible—to defy tradition. They are reminded of the Fulani proverb which holds, “At the end of patience, there is the sky.”

Yet Ramla, Safira, and Hindou are tired of waiting for a happiness that may never come. Their lives are driven by impatience and clouded by the suffering rooted in forced marriage and physical abuse, but it is this oppressive culture that binds them together.

Djaïli Amadou Amal makes her literary debut in English with this remarkable novel that breaks taboos as it denounces the cultural mores of Africa's Sahel region. Inspired by the author’s own experiences and written with grace, strength, and veracity, The Impatient is a moving testimony to a shared pain and a call for change—an unflinching depiction of the psychic damage traditions can have on the women who must abide by them and a denunciation of violence against all women and the normalization of domestic abuse—not only in Cameroon but around the globe.

“A stark and unflinching view of an oppressive culture.” —Publishers Weekly

(A special thank you to book club member, Elke Richelsen for the suggestion.)

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The Blunder

Cameroon, 1929. As colonial powers fight for influence in Africa, French military surgeon Eugène Jamot is dispatched to Cameroon to lead the fight against sleeping sickness there. But despite his humanitarian intentions, the worst comes to pass: 700 local villagers are left blind as a result of medical malpractice by a doctor under Jamot’s watch.

Damienne Bourdin, a young white woman, ventures to Cameroon to assist in the treatment effort. Reeling from the loss of her child, she’s desperate to redeem herself and save her reputation. But the tides of rebellion are churning in Cameroon, and soon after Damienne’s arrival, she is enlisted in a wild plot to staunch the damage caused by the blunder and forestall tribal warfare. Together with Ndongo, a Pygmy guide, she must cross the country on foot in search of Edoa, a Cameroonian princess and nurse who has gone missing since the medical blunder was discovered.

As Damienne races through the Cameroonian forest on a farcical adventure that unsettles her sense of France’s “civilizing mission,” she begins to question her initial sense of who needed saving and who would save the day.

“Cameroonian writer Mutt-Lon skewers self-centered and condescending humanitarian efforts of people from the first world in his sharp English-language debut…This impressive work finds the humanity of its targets.” —Publishers Weekly

“Mutt-Lon writes with a bracing mix of directness and humor…Yet he never creates enough irony to soften discomfort; doing so would be too easy, and The Blunder, no matter how swift and funny it gets, is an intensely complex novel, full of nuanced characters and difficult histories of colonial and inter-tribal prejudice and conflict…an excellent and infuriating read.” —NPR

(A special thank you to book club member, Anna Ruth for the suggestion.)

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Cruel City

Under the pseudonym Eza Boto, Mongo Beti wrote Ville cruelle (Cruel City) in 1954 before he came to the world's attention with the publication of Le pauvre Christ de Bomba (The Poor Christ of Bomba).

Cruel City tells the story of a young man's attempt to cope with capitalism and the rapid urbanization of his country. Banda, the protagonist, sets off to sell the year's cocoa harvest to earn the bride price for the woman he has chosen to wed. Due to a series of misfortunes, Banda loses both his crop and his bride to be.

Making his way to the city, Banda is witness to a changing Africa, and as his journey progresses, the novel mirrors these changes in its style and language.

Published here with the author's essay “Romancing Africa,” the novel signifies a pivotal moment in African literature, a deliberate challenge to colonialism, and a new kind of African writing.

”A persuasive, even gripping study of a spiteful, naïve character.” ―Kirkus Reviews

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A Long Way from Doula

Bursting with local color, this hilarious, heartwarming coming-of-age tale follows two friends on a raucous journey across Cameroon as they grapple with grief, sexuality, and dreams of leaving. 

After their father’s sudden death, Jean’s older brother Roger decides he’s had enough of their abusive mother and their city. He runs away to try his luck crossing illegally into Europe, in the hope of becoming a soccer star abroad. When no news of him reaches the family, and the police declare that finding some feckless brat isn’t worth their time, Jean feels he has to act. Aiming to catch up with Roger before he gets to the Nigerian border, Jean enlists the help of the older Simon, a close neighborhood friend, and the two set out on the road. 

Through a series of joyful, sparky vignettes, Cameroon life is revealed in all its ups and downs. Max Lobe insightfully touches on grave, complex issues, such as the violence Boko Haram has inflicted on the region, yet still recounts events with remarkable humor and levity.

Artfully constructed and absorbing…Lobe has the ability to summon up whole worlds in a careful economy of phrase, bringing individuals and communities to life beyond the photogenic opportunism of breaking news.” —Irish Times
 
“Max Lobe has emerged as a name to watch…for his topical, rip-roaring explorations of life, society and politics in both his birth and adopted countries…There’s a lot to like about his straight-talking prose and sparky, Camfranglais-sprinkled dialogues, and I’d happily have stayed on board for longer.” —European Literature Network
 
“Lobe is a brilliant young talent…This defiant and uplifting immigrant’s story is powerful and persuasive…[a] stylish and colorful tale, rich and insightful.” —NB Magazine

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Mount Pleasant

A majestic tale of colonialism and transformation, Patrice Nganang's Mount Pleasant tells the astonishing story of the birth of modern Cameroon, a place subject to the whims of the French and the Germans, yet engaged in a cultural revolution.

In 1931, Sara is taken from her family and brought to Mount Pleasant as a gift for Sultan Njoya, a ruler cast into exile by French colonialists. Merely 9 years old, she is on the verge of becoming the sultan’s 681st wife. But when she is dragged to Bertha, the long-suffering slave charged with training Njoya’s brides, Sara’s life takes a curious turn. Bertha sees within this little girl her son Nebu, who died tragically years before, and she saves Sara from her fate by disguising her as her son. In Sara’s new life as a boy she bears witness to the world of Sultan Njoya—a magical yet vulnerable community of artists and intellectuals—and learns of the sultan’s final days and the sad fate of Nebu, the greatest artist their culture had ever seen.

Seven decades later, a student returns home to Cameroon to learn about the place it once was, and she finds Sara, silent for years, ready to tell her story. But her serpentine tale, entangled by flawed memory and bursts of the imagination, reinvents history anew.

“Nganang’s dazzling novel [stands] in a league of its own, so different from the great majority of novels by African writers in the past fifty or sixty years.” —Counterpunch

”Nganang delivers a modern epic, tinged with liberal doses of magical realism, of life in his country's colonial era . . . An elegantly drawn and engaging world of a sort unknown to most readers—but one they'll be glad to have visited.” —Kirkus Reviews

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Your Madness, Not Mine

Women's writing in Cameroon has so far been dominated by Francophone writers. The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state.

The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians.

Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard. 

“The characters Makuchi creates are survivors; they are scrappy and they are strong, especially the women. As we enter their world and see the neocolonial forces of gargantuan proportions that shape their daily living, Makuchi's pen guides us into a new literary space. She wields her pen like a pioneer's axe in the forest, clearing new spaces…that invite us to consider realities we would otherwise never know.” —Eloise A. Briere

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