Almond

An Amazon Best Book of May 2020

The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever.

This story is, in short, about a monster meeting another monster. 

One of the monsters is me.

Yunjae was born with a brain condition called Alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother provide him with a safe and content life. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say “thank you,” and when to laugh.

Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school, and they develop a surprising bond.

As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life at risk, Yunjae will have the chance to step outside of every comfort zone he has created to perhaps become the hero he never thought he would be.

Readers of Wonder by R.J. Palaccio and Ginny Moon by Benjamin Ludwig will appreciate this “resonant” story that “gives Yunjae the courage to claim an entirely different story.” (Booklist, starred review)

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First Person Sorrowful

Ko Un has long been a living legend in Korea, both as a poet and as a person. Allen Ginsberg once wrote, “Ko Un is a magnificent poet, combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian.”

When a writer has published as much as Ko Un has in the course of more than fifty years of writing, it is hard to know where to begin, what to translate. For this collection, his translators have selected a hundred or so poems from the five collections published since 2002, collections acclaimed by Korean critics as bringing poetry to a new level of cosmic reference. Nothing shows more clearly his stature as a writer than the variety of themes and emotions found in his most recent work. Readers here have access for the first time to many of the poems Ko Un has produced in the 21st century, as he approaches his eightieth year, his energy and originality unabated.

As Michael McLure wrote years ago: “Ko Un's poetry has the old-fashionedness of a muddy rut on a country road after rain, and yet it is also as state-of-the-art as a DNA micro-chip.” That remains true today.

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There a Petal Silently Falls

“Ch'oe Yun is a Korean author known for her breathtaking versatility, subversion of authority, and bold exploration of the inner life. Readers celebrate her creative play with fantasy and admire her deep engagement with trauma, history, and the vagaries of remembrance.

In this collection's title work, ‘There a Petal Silently Falls,’ Ch'oe explores both the genesis and the aftershocks of historical outrages such as the Kwangju Massacre of 1980, in which a reported 2,000 civilians were killed for protesting government military rule. The novella follows the wanderings of a girl traumatized by her mother's murder and strikes home the injustice of state-sanctioned violence against men and especially women. ‘Whisper Yet’ illuminates the harsh treatment of leftist intellectuals during the years of national division, at the same time offering the hope of reconciliation between ideological enemies. The third story, ‘The Thirteen-Scent Flower,’ satirizes consumerism and academic rivalries by focusing on a young man and woman who engender an exotic flower that is coveted far and wide for its various fragrances.

Elegantly crafted and quietly moving, Ch'oe Yun's stories are among the most incisive portrayals of the psychological and spiritual reality of post-World War II Korea. Her fiction, which began to appear in the late 1980s, represents a turn toward a more experimental, deconstructionist, and postmodern Korean style of writing, and offers a new focus on the role of gender in the making of Korean history.”

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No Flower Blooms without Wavering

Do Jong-Hwan is one of Korea’s most beloved poets. Through his poetry, Do Jong-Hwan depicts nature and beauty interwoven with a touch of melancholy and hope. He offers glimpses of wisdom with lessons learned from life’s greatest joys and deepest pains. This explains why so many people appreciate them—for the courage the poems give when life is difficult, when joy seems far away.

Where have flowers bloomed but never trembled?
Even those most beautiful
all trembled as they blossomed,
and as they shook, stalks grew firm.
Where is there a love which is never shaken?

Where have flowers bloomed though never been made wet?
Even those most brightly sparkling
were soaked and soaked again as they blossomed.
Battered by wind and rain, their petals opened warmly.
Where is there a life which has never been drenched?

The poet lost his wife at a young age to cancer and the love, pain, and sadness he feels is also seen in this beautiful collection.

Today there is
no sign of you,
who turned into a star
and lingered a while
outside the window

Critics and readers alike adore Do Jong-Hwan and this collection of his best poems make it clear why he’s so beloved. This new publication offers the additional advantage of being bilingual, so that readers also have access to the original texts of the poems.

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Human Acts

Shortlisted for the International Dublin Literary Award & named one of the best books of 2017 by Amazon, The Atlantic, San Francisco Chronicle, Library Journal, & Huffington Post

From the internationally bestselling author of The Vegetarian, a “rare and astonishing” (The Observer) portrait of political unrest and the universal struggle for justice

In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed.
 
The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.
 
An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.”

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Confession of the Lioness

A finalist for the Man Booker International Prize & shortlisted for the International Dublin Literary Award

“A dark, poetic mystery about the women of the remote village of Kulumani and the lionesses that hunt them.

Told through two haunting, interwoven diaries, Mia Couto's Confession of the Lioness reveals the mysterious world of Kulumani, an isolated village in Mozambique whose traditions and beliefs are threatened when ghostlike lionesses begin hunting the women who live there.

Mariamar, a woman whose sister was killed in a lioness attack, finds her life thrown into chaos when the outsider Archangel Bullseye, the marksman hired to kill the lionesses, arrives at the request of the village elders. Mariamar's father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the women themselves.

Both a riveting mystery and a poignant examination of women's oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.”

(Group read suggestion from Beth McCrea, book club co-founder.)

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The First Wife

“This is a powerful and angry book. The writing is urgent and surprising.” —Reading the World

“After twenty years of marriage, Rami discovers that her husband has been living a double—or rather, a quintuple—life. Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband's duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women—as well as an additional lover—according to polygamist custom, the rival lovers join together to declare their voices and demand their rights.

In this funny and feverishly scathing critique, a major work from Mozambique's first published female novelist, Paulina Chiziane explores her country's traditional culture, its values and hypocrisy, and the subjection of women the world over.”

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Neighbours

“On the eve of the Muslim festival of Eid, Narguiss, who 'never wanted anything to do with politics', is more preoccupied with family problems than with the radio news of kidnappings and murders. Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder.

Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique. Skilfully weaving together present events and age-old traditions through narrative 'snapshots', Lília Momplé gives us, in the drama of a few short hours, an insight into the consequences of Mozambique's complex history.”

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Tuner of Silences

A Radio France-Culture/Télérama best work of fiction by the winner of the Camões Prize and Neustadt Prize

Highly acclaimed by the NY Times

”Mwanito was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears.

Mwanito has been living in a former big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He’s been told that the rest of the world is dead, that all roads are sad, that they wait for an apology from God. Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden.

The eighth novel by the internationally bestselling Couto, The Tuner of Silences is the story of Mwanito’s struggle to reconstruct a family history that his father is unable to discuss. With the young woman’s arrival, however, the silence of the past quickly breaks down, and both his father’s story and the world are heard once more.

The Tuner of Silences has been published to acclaim in more than half a dozen countries. Now in its first English translation, this story of an African boy's quest for the truth endures as a magical, humanizing confrontation between one child and the legacy of war.”

”A phenomenal book … a paragon of contemporary African literature ... some of the most beautiful and moving prose being written today.” ―Words without Borders

“Brookshaw dexterously renders the novel's colloquial Portuguese into lively English…a task is made more exacting by the quality of Couto's brilliance.” —The New York Times

(Group read suggestion from Beth McCrea, book club co-founder.)

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Ualalapi

Named one of Africa’s hundred best books of the twentieth century, Ualalapi reflects on Mozambique’s past and present through interconnected narratives related to the last ruler of the Gaza Empire, Ngungunhane. Defeated by the Portuguese in 1895, Ngungunhane was reclaimed for propaganda purposes by Mozambique’s post-independence government as a national and nationalist hero. The regime celebrated his resistance to the colonial occupation of southern Mozambique as a precursor to the twentieth-century struggle for independence.

In Ualalapi, Ungulani challenges that ideological celebration and portrays Ngungunhane as a despot, highlighting the violence and tyranny that were hallmarks of the Gaza Empire. This fresh look at the history of late nineteenth-century southeast Africa provides a prism through which to examine the machinations of those in power in Mozambique during the 1980s.

“An English translation of this undisputed masterpiece of modern Mozambican fiction comes very welcome indeed. Both the translation and the foreword provide the Anglophone reader with an excellent introduction to the work of Ungulani Ba Ka Khosa, offering a compelling historical vision of peoples and cultures in the crucible of conflict.” —Hilary Owen, University of Oxford/University of Manchester

Ualalapi endures as one of the most compelling historical novels produced in post-independence Mozambique. . . . Khosa’s narrative exudes a foreboding and multifarious end-of-the-world mood.” —Luís Madureira, University of Wisconsin-Madison

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Woman of the Ashes

Finalist for the Man Booker International Prize

Alternating between two voices in both an oral and letter format, this is the first in a trilogy about the last emperor of southern Mozambique

“Southern Mozambique, 1894. Sergeant Germano de Melo is posted to the village of Nkokolani to oversee the Portuguese conquest of territory claimed by Ngungunyane, the last of the leaders of the state of Gaza, the second-largest empire led by an African. Ngungunyane has raised an army to resist colonial rule and with his warriors is slowly approaching the border village.

Desperate for help, Germano enlists Imani, a 15 year-old girl, to act as his interpreter. But when he develops romantic feelings for her, he fears that the attraction will compromise his mission. She belongs to the VaChopi tribe, one of the few who dared side with the Portuguese. But while one of her brothers fights for the Crown of Portugal, the other has chosen the African emperor. Standing astride two kingdoms, Imani is drawn to Germano, just as he is drawn to her. But she knows that in a country haunted by violence, the only way out for a woman is to go unnoticed, as if made of shadows or ashes. 

Alternating between the voices of Imani and Germano, Woman of the Ashes combines vivid folkloric prose, magical realism, and extensive historical research to give a spellbinding and unsettling account of war-torn Mozambique at the end of the nineteenth century.”

(A special thank you to book club member, Eydis West for the group read suggestion.)

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Narrow Road to the Interior

Here is the most complete single-volume collection of the writings of one of the great luminaries of Asian literature. Basho (1644–1694)—who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is best known in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku that recounts his journey through the far northern provinces of Japan. This volume includes a masterful translation of this celebrated work along with three other less well-known but important works by Basho: Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue. There is also a selection of over two hundred fifty of Basho's finest haiku. In addition, the translator has provided an introduction detailing Basho's life and work and an essay on the art of haiku.

Note: A variety of different translations are available with this version translated by Sam Hamill recommended as the best.

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Morgue Drawer Four

Shortlisted for Germany's Friedrich Glauser Prize for best crime novel.

Coroner is the perfect job for Dr. Martin Gänsewein, who spends his days in peace and quiet autopsying dead bodies for the city of Cologne. Shy, but scrupulous, Martin appreciates his taciturn clients—until the day one of them starts talking to him. It seems the ghost of a recently deceased (and surprisingly chatty) small-time car thief named Pascha is lingering near his lifeless body in drawer number four of Martin's morgue. He remains for one reason: his “accidental” death was, in fact, murder.

Pascha is furious his case will go unsolved—to say nothing of his body's dissection upon Martin's autopsy table. But since Martin is the only person Pascha can communicate with, the ghost settles in with the good pathologist, determined to bring the truth of his death to light. Now Martin's staid life is rudely upended as he finds himself navigating Cologne's red-light district and the dark world of German car smuggling. Unless Pascha can come up with a plan—and fast—Martin will soon be joining him in the spirit world. Witty and unexpected, Morgue Drawer Four introduces a memorable (and reluctant) detective unlike any other in fiction today.

Note: Also, a great audiobook as well.

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The Tree and the Vine

“This courageous early work of lesbian fiction (1951) tells the gripping story of two women torn between desires and taboos in the years leading up to the Nazi occupation of Amsterdam. 

When Bea meets Erica at the home of a mutual friend, this chance encounter sets the stage for the story of two women torn between desire and taboo.

Erica, a reckless young journalist, pursues passionate but abusive affairs with different women. Bea, a reserved secretary, grows increasingly obsessed with Erica, yet denial and shame keep her from recognizing her attraction. Only Bea’s discovery that Erica is half-Jewish and a member of the Dutch resistance—and thus in danger—brings her closer to accepting her own feelings.

First published in 1954 in the Netherlands, Dola de Jong’s The Tree and the Vine was a groundbreaking work in its time for its frank and sensitive depiction of the love between two women, now available in a new translation.”

“A jewel hidden in plain sight.” —Kirkus Reviews, Starred Review

“This compelling novel allows us entry into a world in which the word lesbian is unspeakable and to be a Jew is unspeakably dangerous.” —Evelyn Torton Beck, editor of Nice Jewish Girls: A Lesbian Anthology

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The Skin is the Elastic Covering that Encases the Entire Body

“What if your first true love broke all known taboos? What if your very first romance drowned you in a whirlpool of transgression? A coming-of-age novel that is minutely in tune with the perversions of its narrator’s body, The Skin Is the Elastic Covering that Encases the Entire Body defines category. The desperate account of a teenage boy in love with a much older riding instructor, it follows the unforgettable Bjorn as he pushes his flesh to its very limits, annihilating boundaries of gender and sexuality in a search for impossible gratification.

A feverish combination of stream of conscious, autobiography, collage, and narrative, Skin marks the arrival of a truly original literary voice. It is as omnivorous as the bodies within it, as unrestrained as the appetites, terrors, and trystings that celebrated author Bjorn Rasumssen evokes in poetic detail. Deeply emotional, erotic, elegiac, and pansexual, it caresses the wounds we visit upon our flesh and soul in an attempt to serve the urges of the body’s largest organ—the skin that covers and defines us.”

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The Adventures of China Iron

Winner of the International Booker Prize 2020 

Best books published in Latin America 2017 ―New York Times

Best books dealing with feminism, sisterhood and queerness ―Pagina/12

“‘I took off my dress and the petticoats and I put on the Englishman’s breeches and shirt. I put on his neckerchief and asked Liz to take the scissors and cut my hair short. My plait fell to the ground and there I was, a young lad. Good boy she said to me, then pulled my face towards her and kissed me on the mouth. It surprised me, I didn’t understand, I didn’t know you could do that and it was revealed to me so naturally: why wouldn’t you be able to do that? Liz’s imperious tongue entered my mouth, her spicy, flowery saliva tasted like curry and tea and lavender water.’

1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building.

This subversive retelling of Argentina’s foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

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Chronicle of the Murdered House

Winner of the 2017 Best Translated Book Award

Longlisted for the 2017 National Translation Award

“The novel’s edgy and frank depictions of gender fluidity and sexual orientation begs comparisons to Tennessee Williams’s Suddenly Last Summer while its themes of a great family in decay recalls the best work of William Faulkner.” —World Literature Today

“Long considered one of the most important works of twentieth-century Brazilian literature, Chronicle of the Murdered House finally became available in English in 2017.

Set in the southeastern state of Minas Gerais, the novel relates the dissolution of a once proud patriarchal family that blames its ruin on the marriage of its youngest son, Valdo, to Nina—a vibrant, unpredictable, and incendiary young woman whose very existence seems to depend on the destruction of the household.

This family's downfall, peppered by stories of decadence, adultery, incest, and madness, is related through a variety of narrative devices, including letters, diaries, memoirs, statements, confessions, and accounts penned by the various characters.”

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La Bastarda

The first novel by an Equatorial Guinean woman to be translated into English.

Honor Book in the Global Literature in Libraries Best Translated YA Book & World Literature Today's Notable Translations of 2018

Orphaned Okomo lives under the watchful eye of her grandmother and dreams of finding her father. Forbidden from seeking him out, she enlists the help of other village outcasts: her gay uncle, and a gang of “mysterious” girls reveling in their so-called indecency. Drawn into their illicit trysts, Okomo finds herself falling for their leader and rebelling against the rigid norms of Fang culture. [Note: The Fang people also known as Fãn are a Central African ethnic group found in Equatorial Guinea, northern Gabon, & southern Cameroon.]

“A breakthrough novel that tells the world, from an Equatorial Guinean perspective, that there is so much necessary life outside of, beyond, before, and after patriarchy. For those of us who have been told that we do not exist. That we cannot exist. That we should not exist. This groundbreaking story full of love and nurturing is a spell for remembering that we do exist, we have existed, and that we must support each other to exist and thrive as who we are.” —Alexis Pauline Gumbs, author of M Archive: After the End of the World

“Though I live a world away from Equatorial Guinea, I saw so much of myself in Okomo: a tomboy itching to be free and to escape society’s rigged game. I cheered her on with every page, and wished—for myself and all girls—for the bravery to create our own world.” —Maggie Thrash, author of Honor Girl

“Obono's voice is assured and vital, and her tale of queer rebellion in Fang society is an exceptional take on the coming-of-age novel.” —Publishers Weekly

“A unique contribution to LGBTQ literature.” —Kirkus Reviews

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Born a Crime

“The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed. Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth.

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist.

It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during a kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. ”

 “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism…What also helped was having a mother like Patricia Nombuyiselo Noah…Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.” —USA Today

(Group read suggestion from Beth McCrea, book club co-founder.)

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Coconut

“An important rumination on youth in modern-day South Africa, this haunting debut novel tells the story of two extraordinary young women who have grown up black in white suburbs and must now struggle to find their identities.

The rich and pampered Ofilwe has taken her privileged lifestyle for granted, and must confront her swiftly dwindling sense of culture when her soulless world falls apart.

Meanwhile, the hip and sassy Fiks is an ambitious go-getter desperate to leave her vicious past behind for the glossy sophistication of city life, but finds Johannesburg to be more complicated and unforgiving than she expected.

These two stories artfully come together to illustrate the weight of history upon a new generation in South Africa.”

(A special thank you to book club member, Jennifer Koen for the group read suggestion.)

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